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Table of Contents for Qin Fu
1
Handbooks, essays and notation compiled by Tong Kin-Woon 2 |
琴府目錄
唐健垣編 Qin Fu Volume 2 opens with images 3 |
The materials can be divided into three types:
Qin Fu includes two handbooks missing from the 30-Volume Qinqu Jicheng: Longhu Qinpu and Jinyu Qin Kan.
Volume 2 of Qin Fu continues with (this .pdf file has the ToC [573KB]):
Titles of the 10 melodies in the Qin Fu edition of this handbook are as follows (note that three of the melodies are recorded on the CD Lost Sounds of the Tao):
- endnotes by Dr. Tong on the modern essays (QF pp.2045-2056)
The pagination in Qin Fu is somewhat confusing, in part because of the location of the general end notes, in part because for three essays at the end of entry 15 (i.e., pp.2017-1991, 1990-1983 and 2044-2018) and for entries 16 to 20 the pages are numbered left to right; everything else is numbered right to left.
Here Dr. Tong's end notes are placed after #s 16-21, where they are paginated separately from the above. They are as follows:
Appendices: further commentary mostly by Dr. Tong, but separately numbered
Footnotes (Shorthand references are explained on a
separate page)
2.
Tong Kin-Woon (唐健垣 Tang Jianyuan)
See further
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3.
Illustration
This seems to be the only color plate in the book.
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4.
Overall arrangement
My personal edition of Qin Fu divides Volume 2 in half; in commentary I generally refer to them as 2A (with what here are called Sections 13-15 ) and 2B (Sections 16-20).
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5.
Opening section
It also includes a list of handbook collections and a chart by Zha Fuxi of qin schools. (Note that Zha Fuxi was then persona non grata to the Nationalist Government so in Qin Fu TKW generally referred to him only as 查照雨 Zha Zhaoyu.)
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6.
Qin Melodies by 廬家炳 Lo Ka Ping (1896-1980)
Lo Ka-Ping (Lu Jiabing) came to Hong Kong from Guangdong province in the 1930s. An avid guqin player, he collected many old instruments from people arriving in Hong Kong from the mainland. As well as being a Daoist priest he was a school teacher and composer of guqin melodies. Many of these were included in his guqin handbook.
In addition to the melodies above, at least 10 more pieces have been attributed to him elsewhere, but their place of publication is unclear. The titles of those melodies include:
The CD Lost Sounds of the Tao has one melody with only an English title, Murmuring in the Boudoir. I have not been able to find comparable tablature in the handbook above, so perhaps it is one of these 10 pieces.
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Return to the annotated handbook list or to the Guqin ToC.