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45. Engaging with Old Friends (1539)
- Shang mode, standard tuning: 2 5 6 1 2 3 5 6, but played as 1 2 4 5 6 1 2
Fengxuan Xuanpin does not pair short melodies with long ones of the same theme. If it did, #49 Kai Gu would make a good prelude. However, in later handbooks Gujiao Xing is paired with a short melody variously called Glue and Varnish Intonation (Jiao Qi Yin) or Cutting Through Metal Intonation (Duan Jin Yin).7
Fengxuan Xuanpin also does not have any commentary with its melodies. If desired one can choose between the Guanzi and Wen Zhongzi stories outlined with the 1525 version.
Music of Gujiao Xing (1539)
10 sections (untitled; timings here are from my recording 聽錄音 9
00.54 2 (harmonics)
02.44 4 (harmonics)
05.19 7 (begins with lyrics added from a similar passage in 1525)
06.23 8 (harmonics)
07.51 Closing harmonics
Footnotes (Shorthand references are explained on a separate page)
Engaging with Old Friends (古交行 Gujiao Xing)
3/xxx; 3308.105 古交 Gujiao gives only a place name (see Different translations). Note that 故交 13466.39 and 5/430 gu jiao have several quotes concerning old friendships, but have nothing that might connect this to the present melody.
Shang mode (商調 shang diao)
For more on shang mode see Shenpin Shang Yi.
I always try to learn the earliest known version of any particular melody, and at the time I reconstructed this one it was thought to be the earliest; for re-dating the Xiltutang Qintong version see further.
Different translations of the title
Such translations depend mainly on the interpretation of 行, here xing but also hang 34850甲33/34: 曲引、歌行. Note also that 3308.105 古交 Gujiao has only that it is an old name for 交城 Jiaocheng, a prefecture southwest of Taiyuan in central 山西 Shanxi province. Gujiao Xing could thus also be translated as Traveling in Gujiao. However, there is no apparent connection between that region and this melody. Zhu Houjiao, the compiler of Fengxuan Xuanpin, was a prince for an area southeast of the Songshan mountain range in Henan Province.
Cloud Bamboo Couch (雲竹榻 Yun Zhu Ta)
See the introduction under the 1525 version
Glue and Varnish Intonation (膠漆吟 Jiao Qi Yin) (also called 斷金吟
Duan Jin Yin)
Introduced under the 1525 version
For the Guanzi story see the afterword in 1525; for Wenzhongzi see the preface in 1552. As for whether one is more "correct", as with poetry ambiguity should be a strength rather than a weakness.
The following lyrics from Xilutang Qintong Section 8 could be paired with the similar music in Fengxuan Xuanpin at the beginning of Section 7.
See further details under the 1525 version.
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