T of C
|Personal||email me search me|
|Qin Biographies Caishi Wunong Qin Cao||首頁|
- Qin Shi #77
琴史 #77 2
伯偕之制 The Style of Cai Yong (playing qin) 3
Yuefu Shiji includes in its qin melody section a Caishi Wunong (Five Melodies of the Cai Clan). There these five (also referred to as 五曲 wu qu) are said to be the following melodies:
This is somewhat different from the Caishi Wunong listed in at least one Song dynasty source, which changes one of the above titles. And as can be seen here it is very different from the five sections in the 1511 melody Caishi Wunong.
Surviving qin melodies with which Cai Yong has sometimes been connected include the following:6:
Qin illustration 29 in Taiyin Daquanji shows what it says is a qin he had made, named Scorched Tail (焦尾 Jiao Wei, also called Burnt Tail).
The Qin Shi essay about Cai Yong is as follows:8
At the time of Emperor Huan (r.147 - 168) five lords such as the minister12 Xu Huang (d.164 CE) and Zuo Guan (d.165 CE), who were willful and unrestrained, heard that Cai Yong was a good qin player. (Eunuchs then controlled the emperor.) One day the emperor ordered the prefect of Chenliu to send a dispatch (ordering Cai Yan to come to the court). (To avoid this) Cai Yong then stopped traveling in 偃師 Yanshi (east of Luoyang), said he was ill, and returned home (for 12 years). (In 172) he did respond to a summons to court, where he rose to the position of Court Gentleman of Consultation.13 Here (ca. 175 CE) he submitted an essay criticizing the eunuchs and as a result was (condemned to death but eventually) sent north; he returned after a general amnesty....
(I have not yet translated the next section, which tells of Cai Yan hearing a wutong tree burning and from the sound realizing it would make a good qin. So he took the wood and made a 焦尾 jiaowei scorched tail qin. Then there is an episode concerning Dong Zhuo [d. 912], then in control of the government, ordering Cai Yong into the government, Cai's pleading illness, Dong Zhuo ordering Cai Yong to play qin, and Dong Zhuo ordering Governor 王允 Wang Yun to execute Cai Yong [in 192].)
|....The whole world mourned him.||
Praying mantis and cicada:
Qicuo from QFTGYY
(The biography then includes some more information not yet translated, most of it apparently commentary by Zhu Changwen himself. It also mentions by name the Caishi Wunong.15)
Cai Yong references
蔡邕 32581.126 has the image above. His style name 伯喈 Bojie means something like Sir Melody (compare Boxie 伯偕). He is also sometimes called 蔡中郎 Cai Zhonglang, Zhonglang being a government rank. He is discussed in Xu Jian Chapter 2.A. (pp.16-18).
Also: do a net search for "Cai Yong" and "Ts'ai Yung".
|3. Cai Yong images||Sancai Tuhui|
The image above, called 伯偕之制 The Style of Cai Yong (playing the qin) calls Cai Yong 伯偕 Boxie instead of the standard 伯喈 Bojie; note also the pointed top in
this image of his scorched tail qin. The original of the above image, from a series
(宋人畫歷代琴式圖) that includes several other noted qin players, is in the 國立故宮博物院
National Palace Museum. Its inscription begins, "吳人有燒桐爨者，蔡邕聞火烈...."
琴操 Qin Cao
"琴操 Qin Cao" means "qin melodies", and the earliest surviving 琴操 Qin Cao seem to be lists of melodies, as shown in this separate article. From at least the Song dynasty one can also find quotes purporting to be of commentary from Qin Cao on its melodies, but works called Qin Cao containing this commentary seem to survive only from the Pingjin Guan Congshu, an 18th century collection of undated earlier works.
In addition, there seem to have been at least two versions of 琴操 Qin Cao attributed to 蔡邕 Cai Yong, one including a melody list called 河澗雜歌 Hejian Zage, the other a list called 河澗雅歌 Hejian Yage (details). And although the Qin Cao Cai Yong is the best-known, there were also several other Qin Cao by other people, and references to "Qin Cao" rarely mention the name of the author.
琴經一卷 Qin Jing
I do not know how all the qin melodies mentioned here became attributed to him.
7. Chang Qing is one of four melodies with related titles associated with both Cai Yong and Xi Kang:
These four are included in one version of the Qin Cao attributed to Cai Yong (see Hejian Yage, #8-11).
Original Chinese text
The original Chinese is as follows,
Some of the punctuation is tentative.
陳留圉 Yu in Chenliu
ICTCL says the three commanderies of Chenliu, 汝南 Runan (to its southwest) and 潁川 Yingchuan (south) formed "a center for the leading intellectuals of the time". Historical Atlas II, p.19, shows Yu actually in 淮陽國 Huaiyang Princedom, at the center of the three commanderies. It is about 75 km SSE of Kaifeng, so it should be the same as the 圉鎮 Yuzhen Town on modern maps of 杞縣 Qi County. I haven't been able to find any indication of commemoration.
Hu Guang 湖廣
太傅湖廣 Taifu means he tutored royalty. ICTCL says Hu Guang held positions under two of that time's leading intellectual figures, 桓帝 Emperor Huan (r.147 - 168) and 朱穆 Zhu Mu (100 - 163; Bio. p552 says Cai Yong and others commemorated him after his death).
Rhapsodies on the Qin (琴府 Qin Fu)
Qinshu Daquan has this one in Folio 16, #3 (V, p.386), where it is the third of seven rhapsodies with the title, followed by several more with related titles. Van Gulik in his book on Xi Kang's Qin Fu (Hs'i K'ang's Poetical Essay on the Lute, p.60), mentions the one by Cai Yong as well as Qin Fu by 傅毅 Fu Yi (1st C. CE), 成公綏 Chenggong Sui (231 - 273), 孫該 Sun Gai (d. 261 CE) and 閔洪 Min Hong (3rd C. CE), the latter two apparently lost.
The text has 中常侍 (76.495) 徐璜左悺等五侯.
The Giles and ICTCL biographies differ on details here.
Praying mantis and cicada (sometimes written "preying mantis and cicada")
Kenneth DeWoskin, A Song for One or Two, Music and the Concept of Art in Early China, 1982, p.182 translates a more complete version of this story from Cai Yong's biography in Hou Han Shu. Some years ago I heard a similar cicada - preying mantis story but with different people involved; I haven't been able to trace that yet.
A similar story has Confucius playing the qin while watching a cat chase a mouse. In another room Minzi tells Zengzi that he hears some anxious sounds in the qin play. This fable can be found in 孔叢子 Kong Congzi (see Qinshu Daquan, Folio 16, #27).
Return to QSCB, or to the Guqin ToC.