The top of this page has tablature for two modal preludes:

• Qingshang Mode (Qingshang Diao)
  The music here is the virtually same as that for the Miaopin Qingshang Yi in Wugang Qinpu (1546). The main difference is that in the first line of the Palace tablature there is a clear mistake: the faint red mark in the middle of the incorrect cluster perhaps indicates it should be omitted, as it is in the Wugang Qinpu version.
• Significance of Jiazhong Qingshang (Jiazhong Qingshang Yi).
  The music here is the same as that for the Shenpin Guxian Yi in Wugang Qinpu (1546). The Shenpin Guxian Yi in Shen Qi Mi Pu differs from these two in only three notes, each being played on the 11th position of the third string instead of the 10th position (the f#s in measure 9, 11 and 13 of my transcription).

The bottom of this page has tablature for a melody entitled Intonation Flying into the Distance (飛冥吟 Fei Ming Yin). The character 冥 (distant; profound) is pronounced the same as 鳴 (call out), the character used in the title of all other known versions of this melody: Calling Out in Flight (飛鳴吟 Fei Ming Yin. As for the tablature, it is virtually identical to that of the Shen Qi Mi Pu Fei Ming Yin; the Wugang Qinpu Feiming Yin is somewhat different.

Recordings of the Shen Qi Mi Pu Shenpin Guxian Yi and Fei Ming Yin are included with my Shen Qi Mi Pu CDs

Zithers of the Forbidden City, p. 200.

More Art Illustrating Guqin Melodies