Table of Contents for Wugang Qinpu (1546)
Wugang Qinpu
Wood Ridge Handbook, compiled by Huang Xian |
梧岡琴譜 1
黃獻輯, 1546
2 |
Table of Contents
3
-- Chen Jing preface (I/397)
-- Contents (I/398)
-- General qin glossary (63 techniqes w/their symbols)
-- Right hand fingerings (20 terms briefly explained)
-- Left hand fingerings (23 terms briefly explained
(Gong Mode)
- Shenpin Gong Yi (Celestial Air defining Gong [mode];
QPZC #3; I/401)
(Differs from 1425)
- Meihua Yin (10*; Prelude to "Plum Blossom";
QPZC #4; I/401)
Also called Meihua Sannong
(Quite different from 1425 [and from
QPZC #2])
- Yang Chun (13; Bright Spring;
QPZC #5; I/404)
神品宮曲,卽龍門桃浪引 Shenpin Gong melody; same as Longmen Taolang Yin
(Melody related to 1525)
- Qingdu Yin (10; Clear City Prelude;
QPZC #18; I/406)
"Shenpin Gong melody; also called Guanghan You
(QPZC #51); by
(Mao) Minzhong
Piaoweng edited it and Old
Qiushan further revised it"
(from 1425)
(Gushang Mode)
- Shenpin Gushang Yi (Celestial Air Defining Old-Shang [mode]; QPZC #24; I/408)
(from 1425)
- 奇品商意 Qipin Shang Yi (Marvelous Piece Defining Shang [mode]QPZC, [#25]; I/408)
(Only here and QPZC)
- Yasheng Cao (7; Proximate Sage Melody;
QPZC #26; I/408)
Also called Yan Hui (from 1511 [but shorter])
- Bai Xue (9; White Snow;
QPZC #27; I/409)
(from 1425 [two sections divided differently])
- Chang Qing (9*; Long Clarity;
QPZC #19; I/411)
"The first of Xi Kang's Four Melodies. It was especially 曉翁
Xiaoweng who grasped its meaning"; (from 1425)
- Yi Lan (11; Esteemed Orchid;
QPZC #20; I/413)
This melody is one that 超出 excels among celestial airs
(from 1425)
- He Ming Jiugao (10*; Cranes Cry in the Nine Bends of the Marsh; QPZC #6; I/416)
(See #8; quite different from 1425; usually included with shang mode pieces)
- Yuan He Shuang Qing (9*; Paired Clarity of Ape and Crane; QPZC #7; I/418)
(Usually included with shang mode pieces; related to
1511)
(Shang Mode [No modal prelude])
- Gui Qu Lai Ci (6L; Come Away Home Poem;
QPZC #9; I/421)
Shang mode (same lyrics but completely different melody from 1511)
- Yikuang Yin (3; Calmly Expansive Chant; QPZC #10; I/423)
神品即懷古吟商調 Celestial Air; same as
Huai Gu Yin (1525); shang mode
(This is the second known publication after 1525; see
chart under the
1525 Huai Gu Yin)
(Jiao Mode)
- Jiao Yi (Defining Jiao [mode];
QPZC #11; I/424)
(similar to 1425 SPJY)
- Yu Feng Xing (8; Ride the Wind Action;
QPZC #12; I/424)
神品角曲 Shenpin Jiao Melody; by Mao Minzhong (like
Liezi Yu Feng)
Shangjiao Mode
- Shangjiao Yi (Defining Shangjiao [mode];
QPZC #13; I/426)
(from 1425)
- Zhuang Zhou Meng Die (8; Zhuangzi's Butterfly Dream;
QPZC #14; I/426)
Shangjiao melody (from 1425)
(Zhi Mode)
- Shenpin Zhi Yi (Celestial Air Defining Zhi [mode]; QPZC #15; I/428)
(see also #15; from 1425)
- Wen Wang Cao (8; Wen Wang's Melody;
QPZC #22; I/428)
"the same as the melody Wen Wang Si Shi"
(this is the title of 1561 #16, which is a different version of the same melody;
from >1505)
- Guan Ju (8; Osprey Cries;
QPZC #57; I/430)
Zhi melody (see also #52;
from >1505)
- Yu Hui Tushan (12; Emperor Yu's Meeting at Mount Tu;
QPZC #58; I/431)
Also called 上國琯光 Shan'guo Guan'guang
(from 1425)
- Qiao Ge (11; Song of the Woodcutter;
QPZC #59; I/434)
Shenpin Zhi melody; by
(Mao) Minzhong; also called Return to Woodcutting (歸樵 Gui Qiao);
from 屢訂本 an often edited volume by the two old men
Qiushan and
Xiaoshan
(from 1425 [small changes])
- Yu Ge (10*; Song of the Fisherman;
QPZC #60; I/436)
Same as 山水綠 Shanshui Lü; 歲庚戌九月梅雪窩刪製 1370 (1430?), 9th month, Meixuewo revision
(Earliest? See 1525)
Yu Mode
- He Wu Dongtian (3; Cranes Dance in Paradise;
QPZC #28; I/439)
Shenpin Yu Yi; said to be in Zixiadong Pu; Xiaoweng 詳刪 examined and edited it
(Second version, after 1525)
- Shenpin Yu Yi (Celestial Air Defining Yu [mode]; QPZC #29; I/440)
(from 1425)
- Zhi Zhao Fei (13; Pheasants Fly in the Morning;
QPZC #30; I/440)
妙品 Beautiful melody; yu mode
(from 1425)
- Pei Lan (13; Fragrant Orchid;
QPZC #31; I/443)
Celestial air; yu melody
(from 1539)
- Wu Ye Ti (9 [7*]; Crows Cry at Night;
QPZC #32; I/446)
Shenpin Yu melody
(from 1425 [small differences])
Fugu Mode 復古調
- Fugu Diao (Reviving-Ancient-Customs Tone;
QPZC #33; I/448)
緊五慢一各一暉(徽),即世之無射絃也。止用五絃,不用少宮、少商二絃。
Tighten fifth (string), slacken first, each one position; same as todays's wuyi tuning. Use only five strings: don't use strings 6 and 7 (except in
1597).
Second of 8 (after 1525), including
Fugu Diao,
Shenpin Fugu Yi,
Fugu Yi
Fugu Diao Kao.
All tuned 1 3 5 6 1 and all precede a Nan Feng Chang except
1590 [which does not have it; see next for name change in 1525];
also see five string melodies and Emperor Shun)
- Nan Feng Chang (8; Southern Winds Rhapsody;
QPZC #34; I/448)
"舊名思親操,一名重華引。復古神品曲。舜彈五絃之琴,歌南風之詩
Old name Si Qin Cao; also called Chonghua Yin. A
fugu celestial air;
Shun played a
5-string qin and sang Southern Wind lyrics."
(Melody almost same as that of Yu Shun Si Qin (1525), omitting its section 5 with lyrics; no musical relation to 1511 or 1525
Si Qin)
Huangzhong Mode
- Huangzhong Yi (Defining Yellow Bell [mode];
QPZC #35; I/450)
緊五慢一,卽無射絃也 Tighten fifth, lower first; same as Wu Yi string (should be 調 mode)
(1 3 5 6 1 2 3 ; see 1425)
- Zhaojun Yin (8*; Prelude of [Wang] Zhaojun;
QPZC #36; I/450)
Yellow Bell Melody (= Zhaojun Yuan aka
Longshuo Cao [almost same])
Qiliang Mode
- Shenpin Qiliang Yi (Celestial Air Defining Qiliang [mode]; QPZC #37; I/452)
Same as Chushang Yi: tighten 2nd and 5th strings one step
(tuning 2 4 5 6 1 2 3 ;
see 1425)
- Chu Ge (9*; Song of Chu;
QPZC #38; I/452)
凄凉曲 Qiliang melody (from 1425, but seems closer to 1539)
- Qu Yuan Wen Du (6; Qu Yuan Asks the Ferry[man];
QPZC #40; I/454)
凄凉調 Qiliang tune (from >1505 [many diff.]; see also previous)
Ruibin Mode
- Shenpin Ruibin Yi (Defining Ruibin [mode];
QPZC #41; I/455)
Tighten the fifth string one step
(from 1425)
- Xiao Xiang Shui Yun (10; Water and Clouds on the Xiao and Xiang; QPZC #42; I/455)
Shenpin Ruibin melody, by
Guo Chuwang (see also #56; from 1425)
Qingshang Mode
- Miaopin Qingshang Yi (Beautiful Air in Qingshang Mode; QPZC #45; I/458)
Tighten 2nd, 5th and 7th strings one step (tuning 6 1 2 3 5 6 1 )
(Only here, QPZC and 1589, but music is like 1525 Jiazhong Yi and 1551, Guxian Yi)
- Shenpin Guxian Yi (Celestial Air Defining Guxian Mode; QPZC #46; I/458)
(same tuning as #45; from 1425 [very similar])
- Feiming Yin (3; Chant of Calling Out While Flying;
QPZC #47; I/458)
(from 1425 [quite close])
- Qiu Hong (36*; Autumn Geese;
QPZC #48; I/459)
Tablature of Guo Chuwang; all the Xu masters 訂潤 revised and adorned it; qingshang melody
(from 1425 [quite close], but no mention of
Zhu Quan)
--
Afterword by
Huang Xian (I/465)
Discusses his Xumen background
Footnotes (Shorthand references are explained on a
separate page)
1.
In Qinqu Jicheng, I, pp.397 - 465
(Return)
2.
Huang Xian (1485 - 1561), a eunuch, is discussed in Xu Jian, Qinshi Chubian,
Chapter 7.A.
(Return)
3. The 29 melodies and other parts of Qinpu Zhengchuan (see its
ToC) not in Wugang Qinpu are as follows:
-- He Jian preface
-- Depictions: putting on strings / carrying the qin
-- Depictions: finger techniques (333 pairs with associated poetic images)
-- General qin glossary (63 terms w/their symbols [same as
Wugang Qinpu])
-- Essential study reporting in detail the qin symbols
(51 right hand/32 left-hand techniques, many repeated from previous section;
28 non-standard tunings; 8 general symbols. Compare
Fengxuan Xuanpin.)
-- Required knowledge for qin play / Instructing beginners / Qin playing techniques
-- Extra essay (by [Yang] Peiyan, dated 1561)
Folio One:
Meihua essay and lyrics
Yang Chun essay and lyrics
(Gong Mode)
- 孤芳吟 Gufang Yin (3; Intonation on the Virtue of Solitude)
"Shenpin Gong Yi"; (first of three:
1551 and
1559 have commentary;
not in 1546: see 1561 #1
- Meihua Sannong (12*; Three Playings of "Plum Blossom")
(Quite different from #4 and from
1425;
not in 1546: see 1561 #2)
Folio Two:
Wenjun Cao lyrics
Nanfeng Ge lyrics
Daiyi Qu lyrics
Zhengzi Ge lyrics
Lüshuang Cao lyrics
Loushi Ming lyrics
Xiangfei Yuan lyrics
- He Ming Jiugao (9*L; Cranes Cry in the Nine Bends of the Marsh)
(See #6; quite different from 1425; usually included with shang mode pieces;
not in 1546: see 1561 #8
(Shang Mode)
- Zhi Yi (Defining Zhi [mode])
(See also #21; from 1425;
not in 1546: see 1561 #15
- Wen Wang Cao (10; Wen Wang's Melody)
(Another version is #22; from >1505;
not in 1546: see 1561 #16
- Shishang Liu Quan (6; The Spring Flows over the Rocks)
(See 1525;
not in 1546: see 1561 #17
Folio Three:
Zhaojun essay and lyrics
- Bin Feng Ge (20; Song of Bin Customs)
(Second of 15: see Geng Ge [Ploughing Song]; not in 1546: see 1561 #23
Folio Four:
Yangguan lyrics
Feng Ru Song lyrics
- 弔屈原 Diao Qu Yuan (10; Mourning for Qu Yuan)
(Related to >1505; see also next;
not in 1546: see 1561 #39
- 斷金吟 Duan Jin Yin (3; Breaking-off-from-Gold Chant)
(18/176/--; only here and the versions in
Taiyin Chuanxi and
Taiyin Buyi;
not in 1546: see 1561 #43
- Gujiao Xing (13; Old-Acquaintance Behavior)
(earliest is the 1539 version;
not in 1546: see 1561 #44
- Kechuang Yehua (8; Night Words at the Guest Window)
(from 1511;
not in 1546: see 1561 #49
- Qingxu Yin (3; Chant of Clear Emptiness)
( = Xuan Mo;
not in 1546: see 1561 #50
Folio Five:
Qiao Ge lyrics
- Guanghan You (10; Wandering in the Broad Coolness)
(see also #18, Qingdu Yin;
from 1425;
not in 1546: see 1561 #51
- Guan Ju (7; Osprey Cries)
Yu Yi (see also #57;
from >1505;
not in 1546: see 1561 #52
- Zepan Yin (4*; Chant from a Marshbank)
(Qiliang mode; from 1425;
not in 1546: see 1561 #53
- Li Sao (18*; Falling into Grief)
(Qiliang mode; from 1425;
not in 1546: see 1561 #54
- Jiuyi Yin (3; Jiuyi [Nine Doubts Mountain, in Hunan] Chant)
(from Fan Canglang;
not in 1546: see 1561 #55
- Xiao Xiang Shui Yun (10; Water and Clouds on the Xiao and Xiang)
(see also #42; from 1425;
not in 1546: see 1561 #56
Folio Six:
Xue Chuang Ye Hua lyrics
- Chumu Yin (4; Shepherd's Chant)
(An abbreviated version of Yin De;
not in 1546: see 1561 #61
- 牧歌 Mu Ge (18; Shepherd's Song)
(Zha 18/177/-- : first of 13 pu;
not in 1546: see 1561 #62
- Feng Lei Yin (8; Wind and Thunder Prelude)
(from 1525;
not in 1546: see 1561 #63
- Chun Jiang (8; Spring River)
(Related to but expanded from the earliest 春江曲
Chunjiang Qu;
not in 1546: see 1561 #64
- 盡善吟 Jin Shan Yin (2; Intonation on the Perfectly Good)
(18/--/-- has only two, but it is musically related to
Wang Ji; not in 1546: see 1561
#65
- 簫韶九成,鳳凰來儀 Xiaoshao Jiucheng, Fenghuang Laiyi (23; Panpipes Play Shao Nine Times, and Phoenixes Attend)
(Zha 18/177/-- first of five pu. Also: Fenghuang Laiyi and 神鳳引 Shenfeng Yin; more under
Shun;
not in 1546: see 1561 #66
- 清夜聞鍾 Qing Ye Wen Zhong (7; On a Clear Evening Hearing a Bell)
Also called Weeping Unicorn and Sad Phoenix (17613.25 泣麟悲風 Qilin Bei Feng: The Moon and the Zither, p.273
18003.183 [also 西廂記 quote]; Zha 18/178/--; first of 15 pu
The earliest prelude has a story like that of Huolin Cao;
not in 1546: see 1561 #67
- 扣角歌 Kou Jiao Ge (8; Knock Horns Song)
(18/178/--; first of 7;
not in 1546: see 1561 #68
- 秋風 Qiu Feng (12; Autumn Wind)
(18/178/--; three tablatures: here, 1525 and 1559;
not in 1546: see 1561 #69
- Goudeng Yin (3; Cage-Lantern Chant?)
(Like Tianfeng Huanpei;
not in 1546: see 1561 #70
- Xue Chuang Ye Hua (10; Evening Talk by a Snowy Window)
(from 1539;
not in 1546: see 1561 #71
(Return)
Return to the
Qinpu Zhengchuan intro,
to the
annotated handbook list
or to the
Guqin ToC.