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08. Overcoming Shang Melody
- Standard tuning:2 5 6 1 2 3 5 6 played as 1 2 4 5 6 1 2 |
剋商操
1
Ke Shang Cao |
Although the commentary here remarks on the brevity of the lyrics, there seems to be no speculation as to whether what we have is the remnants of what was once a longer melody or longer set of lyrics. There also seems to be no attempt anywhere to explain why someone would want to create such a short a melody.
The commentary in Taigu Yiyin largely follows that of Yuefu Shiji, adding a comment about Confucius.
Original preface7
As for this melody, when Wu Wang was about to pacify the disorder of the Yin (i.e., Shang) dynasty, he used these lyrics to openly inform God.
Qin Treatise9 says, "As for Ke Shang, at the time Wu Wang was defeating Zhou he wrote this."
Qin Collection10 also says, "As for Ke Shang, Wu Wang defeated Zhou and wrote it himself."
The text, of which we have no more than nine characters, has only some words telling heaven about his punishing (Zhou). Our master (Confucius) said, "Wu's (music) was perfectly beautiful, but not perfectly good." This is what he was talking about.
Music and Lyrics: One section11
-Nine syllables in two phrases: 10 notes in all. The first phrase has five characters with one stopped note for each then a slide on the last; the second has four characters accompanied by four notes played in harmonics.
上告皇天兮,可以行乎。
Shang gao huang tian xi, ke yi xing hu.
Announcing up to high heaven,
can one begin?
See further comment under the lyrics for Wen Wang Cao.
Footnotes (Shorthand references are explained on a
separate page)
1.
Ke Shang Cao 剋商操 (I/280)
2035.15 Qin melody in Yuefu Shiji (Chinese ed., p. 831)
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2.
Tuning and mode
Taigu Yiyin does not group melodies by tuning or mode.
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4.
Seng Juyue (the monk Ju Yue) listed a 克商操 Keshang Cao among the "Most ancient melodies".
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5.
Tracing 剋商操 Ke Shang Cao (tracing chart)
Based on Zha Guide
13/133/239.
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6.
Keshang Cao in Chongxiu Zhenchuan Qinpu (1585)
This melody, as copied in Qinqu Jicheng, IV/404, is difficult to read. It seems to be basically the same as the melody described for 1511, but it is difficult to read and maybe for this reason seems to have mistakes. For example, it seems to indicate the opening is in harmonics, but it is actually the same as the 1511 version but played one string higher, still ending with a slide. The second phrase is similarly in harmonics, the first two notes the same as 1511 but the last two played one string higher. The melody is then copied out again. Is this done, instead of simply giving instructions to repeat, to try to make it look longer?
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7.
Original text of Keshang Cao preface
The original text is,
8.
古今樂錄 Gu Jin Yuelu.
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9.
琴論 Qin Lun, by Xie Zhuang.
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11.
Original lyrics
There is no discussion about whether this is the only surviving part of a longer song or poem.
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Appendix: Chart Tracing 剋商操 Ke Shang Cao
Based mainly on Zha Fuxi's Guide
13/133/239.
琴譜
(year; QQJC Vol/page) |
Further information
(QQJC = 琴曲集成 Qinqu Jicheng; QF = 琴府 Qin Fu) |
1. 謝琳太古遺音
(1511; I/280) |
1; nine note melody fragment; lyrics
|
2. 新刊正文對音捷要
(1573; #40) |
Same as 1585?
|
3. 重修真傳琴譜
(1585; IV/410) |
1 x 2; see further
Lyrics same as 1511; related melody fragment, here written out twice |
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