Table of Contents ²
"E#" refers to the page number in the online digital e-copy (pdf in 285 pages)
No comment about 1585 version means comparison has not yet been made

1. 調絃入弄 Tiaoxian Runong: Beginning Melody (1585 #1; E40)
   Has commentary; identical to 1585

2. 泛音調弄 Fanyin Diaonong: Harmonics Melody (1585 #2; E41)
   Has commentary; identical to 1585 (elsewhere: mistake on 野)

3. 五徽調弄 Wuhui Tiaonong Fifth Position Melody (1585 #3; E42)
   Has commentary; identical to 1585 (elsewhere: 九 instead of 五 on last line)
   at end says "一卷終 end of first folio"

   End of ToC; next is brief entries on people connected to qin

   

   Folio 2 (E44)
   "Printed in Nanjing...by Tang Fu Chun"

4. Gong Yi (1; 1585 #4; E45)
   Related to 1425; lined up same as 1585 but many changes in tablature

5. Yang Chun (15; 1585 #6; E46)
   Melodically related to 1539 but completely different lyrics;

6. Meihua Sannong (12; 1585 #7; E56)
   12th pu, from 1425; lyrics related to 1511

7. Jin Lü (Under the Bridge; 7; 1585 #18; E66)
   Same story but longer melody than 1539's Yi Qiao Jin Lü; completely different lyrics

8. Jiu Kuang (6; 1585 #15; E70)
   4th pu, from 1425; melody and lyrics most closely related to <1609

9. Gao Shan (4; 1585 #10; E74)
   5th pu, from 1425; only one with lyrics; melodically very different and lyrics won't fit
   (See #8 above for note on switched pages)

10. 遇仙吟 Yu Xian Yin (Meeting an Immortal; 1; 1585 #5; E80)
    1585 divides this in five sections and has many differences in the tablature
    Also a few differences in the lyrics (including at least one omission), which are concern Yang Biaozheng himself

11. 浩浩歌 Haohao Ge (Song of the Universe; 3; 1585 #8; E83)
    Guide 25/212/385; in CXZC and 1618 (VIII/197; same lyrics, similar music)
    17932.19xxx; Lyrics (see 1585) attrib. 馬存字子才 Ma Cun (11/12th c., Bio/59)

     
    Folio 3 (E87)

12. Shang Yi #1 (1; 1585 #27; doesn't have #2; E88)
    Lyrics 秋風秋風清，鴻雁末賓.... and music are as in Gu Qiu Feng of 1511

13. Si Xian Cao (7; 1585 #28; E89)
    Lyrics and music about Yan Hui; related to Ya Sheng Cao in 1511

14. Kechuang Yehua (10; 1585 #29; E97)
    Lyrics and music related to 1511

15. Yuan He Shuang Qing (12; 1585 #35; E104)
    Music is related to 1511 (Shuang Qing Zhuan), but the lyrics (露零零，秋動蓬瀛....) are completely different

16. Gui Qu Ci (6; 1585 #31; E113)
    Lyrics and music related to 1511, etc.

17. 對月吟 Dui Yue Yin (12; 1585 #44; E116)
    Guide 26/216/411 : only here
    Preface attributes this to Li Bai; lyrics: 良夜四山寂靜....

18. 聖德頌 Sheng De Song (Hymn of Holy Moral Virtue; 8; 1585 #48; E124)
    Guide 26/217/414: only here (not related to 盛德頌 Sheng De Song, Hymn of Grand Moral Virtue)
    Lyrics: 仁天開景運，際昇平....

19. Wang Ji (2; 1585 #13; E130)
    5th pu, from 1425; lyrics might fit but melody seems quite different
    Attributed to Liu Zhifang

     
    Folio 4 (E133)

20. Bai Xue (9; 1585 #43; E134)
    10th pu, from 1425, first with lyrics: related music, but lyrics won't fit

21. Yi Lan (11; 1585 #45; E140)
    11th pu, from 1425; melodically related but lyrics won't fit
    Section 1 (漪漪揚揚草其行國其香....) paraphrases the Han Yu lyrics

22. Xiang Fei Yuan (4; 1585 #46; E148)
    Lyrics are the same as in 1511; the music is almost the same

23. Boya Diao Ziqi (1; 1585 #47; E150)
    Guide 14/149/256 groups various pieces of this title; the music seems very different here
    The lyrics are related to 1511

24. 滕王閣序 Teng Wang Ge Xu (Preface to 'Pavilion of Prince Teng', in Nanchang; 14; 1585 #41; E152)
    See further comment in the 1585 ToC

25. 相思曲 Xiang Si Qu (1; 1585 #38; E160)
    Some significant differences from 1585 (recording); now usually called 古琴吟 Gu Qin Yin

26. Feng Ru Song (1; 1585 #37; E161)
    Lyrics are the same as in 1511, but the music is rather different

27. Chun Jiang Qu (1; 1585 #36; E162)
    Lyrics and music are as in 1511

28. Lüshuang Cao (1; 1585 #39; E164)
    Han Yu lyrics, the same as in 1511; the music is similar

29. Jiang Gui Cao (1; 1585 #54; E165)
    Han Yu lyrics, same as 1511; quite different melody

30. Si Qin Cao (1; 1585 #53; E165)
    The lyrics same as 1511; quite different melody

31. Qishan Cao (1; 1585 #49; E166)
    Han Yu lyrics, same as 1511; quite different melody

32. Juyou Cao (1; 1585 #51; E167)
    Han Yu lyrics, same as 1511; somewhat similar melody

33. Wen Wang Cao (1; 1585 #50; E167)
    YFSJ lyrics, same as 1511; different melody

34. Yueshang Cao (1; 1585 #52; E168)
    Han Yu lyrics, same as 1511; similar melody

35. Gui Shan (1; 1585 #60; E169)
    Han Yu lyrics, same as 1511; similar melody

36. Si Gui Yin (1; 1585 #60; E169)
    The lyrics same as 1511; similar melody

37. Bie Gu (1; 1585 #61; E170)
    Han Yu lyrics, same as 1511; somewhat similar melody

38. Ba Gong Cao (1; 1585 #58; E171)
    The lyrics same as 1511; somewhat different melody

39. Can Xing Cao (1; 1585 #59; E171)
    Small change in the Han Yu lyrics from 1511; melody related to but quite diff from both 1511 and 1585

40. Xing Tan Yin (1; 1585 #56 has several notes different; E172)
    The lyrics = Section 10 of Xing Tan (1525);
    Melody, different, is half of #59 Shi Yin

41. Ke Shang Cao (1; 1585 #57; E172)
    The lyrics same as 1511; different melody fragment, here written out twice

     
    Folio 5 (E176)

42. Shangjiao Yi (1; 1585 #67; E177)
    10th pu, from 1425: melody seems different but lyrics same as  >1505

43. Chu Ge (12; 1585 #68; E178)
    11th pu, from 1425: lyrics same as 1511 but melody is quite different
    Seems to use standard tuning, as would be appropriate for this mode

44. Meng Die (Zhuangzhou Meng Die; 8; 1585 #66; E185)
    12th pu, from 1425: melody seems different but lyrics same as  >1505

45. Shenhua Yin (3; 1585 #65; E191)
    7th pu, from 1425: melody seems different but lyrics same as  >1505

46. Jiao Yi (1; 1585 #62; E192)
    10th (?) pu, from 1425: melody different but lyrics seem to fit
    (also see  >1505 and comments)

47. Liezi Yu Feng (9; 1585 #63; E193)
    11th pu, from 1425: melody quite different but lyrics will fit
    Lyrics are the same as what survives of the  >1505 version

48. Lingxu Yin (3; 1585 #64; E198)
    8th pu, from 1425: melody different but lyrics will fit (see  >1505)

49. Zhi Yi (1; 1585 #76; E200)
    12th pu, from 1425, but melody quite different; lyrics same as  >1505

50. Guan Ju (10; 1585 #77; E200)
    14th pu from  >1505; melody quite different but lyrics are related

51. (Yu Hui) Tushan (12; 1585 #78; E207)
    11th pu, from 1425: melody seems different but lyrics same as  >1505

52. Qiao Ge (11; 1585 #79; E216)
    12th pu, from 1425: melody seems different but lyrics same as  >1505

53. Nanxun Ge (2; 1585 #80; E224)
    Related not to  >1505 but to 1511

54. Shanju Yin (4; 1585 #81; E226)
    9th pu, from 1425: melody seems different but lyrics same as  >1505

     
    Folio 6 (E231)

55. Yu Yi (1; 1585 #85; E232)
    12th pu, from 1425: melody seems different but lyrics same as  >1505

56. Wu Ye Ti (9; 1585 #87; E233)
    13th pu, from 1425: melody seems different but lyrics same as  >1505

57. Zhi Zhao Fei (14 1585 #86; E239)
    12th pu, from 1425: melody seems different but lyrics same as  >1505

58. Feng Qiu Huang (1; 1585 #88; E247)
    Lyrics and melody same as 1585 Wenjun Cao but different melody from 1539

59. 詩吟 Shi Yin (1; not in 1585!; E248)
    Lyrics: a Du Fu poem (q.v.); Music: intended for any lyrics (7+7)x4 or (7+7)x2;
    Music of 2nd half repeats first adding ornamentation; it is also used here for Xing Tan Yin.
    In her transcriptions of qin songs Wang Di substitutes different lyrics and calls the piece Ke Zhi (q.v.).

60. Ruibin Yi (1; 1585 #89; E249)
    10th pu, from 1425: melody seems different but lyrics (人生南北路...) same as  >1505

61. Yuge Diao (1; 1585 #90; E250)
    4th pu, from  >1505; melody quite different but same lyrics

62. Yu Ge (18; 1585 #91; 250)
    5th pu in this tuning, from  >1505; melody quite different but same lyrics

63. Huangzhong Yi (1; 1585 #93; E263)
    9th (?) pu, from 1425 (Shenpin Wuyi Yi)
    Melody seems different but lyrics same as  >1505

64. Zhaojun Yuan (8; 1585 #94; E263)
    11th pu, from 1425 (Longshuo Cao): melody seems different but lyrics same as  >1505

65. Qiliang Yi (1; 1585 #99; E270)
    6th pu, from 1425: melody seems different but lyrics same as  >1505

66. Qu Yuan Wen Du (8; 1585 #100; E271)
    9th pu from  >1505, but melody quite different and lyrics are like 1530

67. 春江送別 Chun Jiang Song Bie; Ruibin; (9; 1585 #101 "秋江送別 Qiu Jiang Song Bie"!; E276)
    Departure at the River in Spring, Guide 31/241/457: 1618 and 1738; but those are also elsewhere called:
    Departure at the River in Autumn (Qiu Jiang Song Bie; Guide 26/217/416);
    These all have lyrics and music very similar to  >1505 (different refrain)
    This is the long version of Yangguan Sandie (12/124/222; compare short version, below)

68. Yangguan Sandie (Ruibin!; (3; 1585 #102; E281)
    Second short version of Yang Guan: first is 1530; opening phrase is different and words differ throughout, but melody is related

69. 清江引 Qing Jiang Yin (1; 1585 #105; E284)
    Tuning not indicated, but seems to be standard. Only here and 1585, which is somewhat different.

End (E285)

--------------------- 1585 melodies not previously published in 1573 -----------------------

1. 新刊正文對音捷要琴譜真傳 Xinkan Zhengwen Duiyin Jieyao Qinpu Zhenchuan
This online copy has the full title on the electronic p.6. It identifies itself in the margin as "對音捷要琴譜", then at the end (p. 284 of 285) says, "真傳琴譜六卷大尾終".

The similarly titled 重修正文對音捷要真傳琴譜大全 in 四庫全書存目叢書 Siku Quanshu Cunmu Congshu may be just another name for 重修真傳琴譜.
(Return)

2. Contents
The 1585 Chongxiu Zhenchuan Qinpu has tablature (qinpu) for 105 pieces; that includes 45 of the 64 titles from 1425.
(Return)

Return to the Chongxiu Zhenchuan intro, to the annotated handbook list or to the Guqin ToC.