Left hand techniques
 T of C 
Home
My
Work
Hand-
books
Qin as
Object
Qin in
Art
Poetry
/ Song
Hear,
Watch
Play
Qin
Analysis History Ideo-
logy
Miscel-
lanea
More
Info
Personal email me search me
Taiyin Daquanji  ToC   Folio 5-6 ToC   /   "Folio 6":  ToC  Parts: 1&2  /  3-8  /  9-20  /  21-24  /  Right-Left  /  Preludes  /  Closing  /  Wusilan fingerings 網站目錄
Taiyin Daquanji 1 太音大全集
Folio "6", Parts 21-24 卷六:21-24; I/100a      
Explanations provided by the translator may be in italics, brackets ( ) or footnotes.2)

  1. 彈琴小病有五 There are five minor flaws when playing qin (I/100a)
    As previous, rather detailed descriptions of flaws (Shilin Guangji #11).
  2. 蘇翰林易簡論十二病總括 Discussion of 12 flaws (I/100a)
    Shilin Guangji #12
      I/100b      
  3. 調絃 Tuning the strings (I/100b)
    Describes open string - stopped string correspondences
  4. 知音端緒 Clues to understanding music (I/100b)
    A six-line essay beginning,

    夫始學之士尤貴審音,何謂音聲成文謂之音今之學者徒知其聲之 亮而不知其音之節
    Whenever a gentleman begins to study he especially examines the sounds....

next section

 
Footnotes (Shorthand references are explained on a separate page)

1.Taiyin Daquanji
See comments with right hand technique explanations. The Taigu Yiyin in Qin Fu p. 102 is more clear.
(Return)

2. Explanations by translator
See comments concerning the structure of the original text. This section continues what is in some versions of this handbook a section (see QQJC I/94 - 103) that is considered either as a continuation of Folio 5 or of Folio 6. From pp. 94-101 it has a section with no overall title but with 24 numbered entries on a variety of themes, including finger techniques and rules that should be followed.
(Return)

 
Return to Taiyin Daquanji ToC