1. Qi Song (compare QSCM)
   齊嵩云：「嵇三琴賦曰：摟批。擽捋，縹繚潎洌，調手勢也。皆取其名。琴宜....」

2. Zhao Weize (compare QSCM, 趙維則)
   趙惟則曰：「趙師云，凡彈琴之法必資簡靜豈....」.

3. Caishi Wunong (Continuation of previous? Compare the melodies)
   蔡氏五弄：並是側聲....」.

   QQJC I/82 top: Begin Part 4

   

4. Xue Yijian (in Qin Jue?)
   薛易簡曰：「鼓琴之時無問有人無人，常如對長者在前，身需端直，且神鮮意閑，視專思靜....」.

5. Zhao Xikuang (QSCB, p. 120; also in QSDQ, Folio 10)
   趙希曠云：「夫彈琴前指不付後指踢絃....」。

   QQJC I/82 bottom: End Part 6 + Part 7; begin Part 4

   

6. Qin Lu (Continuation of the above?)
   琴錄云：「琴有三調，足有五調. 清平（瑟）楚側都十弄，皆清調為之本....」.

7. Qu Zhan
   麴瞻云「凡彈琴散聲虛歌如風水之澹....」. (Partial translation in QSCB Folio 4; see also QSCM)

Continue with Part 4: Deportment (儀式 Yi Shi)
Or go to the Folio 4 Table of Contents

 
Footnotes (Shorthand references are explained on a separate page)

1. 太音大全集 Taiyin Daquanji Folio 4, Part 2 (QQJC I/71-78, 30 Volume edition I/81-88; QF/74-5)
See the Comment on the different editions.
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2. Explanations by translator
See comments concerning the structure of the original text.
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