Table of Contents for Taiyin Chuanxi
Taiyin Chuanxi
Transmission of the Great Sounds
1 |
太音傳習
1552 - 1561 |
(Note: This book was not available to Zha Fuxi when he was making his Guide, so he could not index the melodies there. All but 10 of them are in what seems to be a related volume, Taiyin Buyi (search for "not in TYBY"), but these are often different versions. For each melody below, if the melody is also in TYBY its number there is indicated in parentheses.)
Table of Contents
-- Preface by Yang Miao (IV/3)
-- Preface by Zhu Qi (IV/4)
- Cao Man Yin (IV/5)
In three sections, written in long hand tablature
(compare TYBY#1)
Folio One:
-- General contents (of folio 1)
-- Speaking of qin structure (IV/6)
-- Discussion of qin playing
-- Technique of putting on the strings
-- Distinguishing the fingers (giving them names)
-- Investigating the tones
-- Correctly plucking the strings
-- Tuning the strings for non-standard modes (IV/12)
-- Method of holding the qin
-- Origins of qin writing tablature
("周趙諸公")
-- Right hand finger techniques (IV/13)
-- Left hand finger techniques
-- Basic techniques of playing the qin
-- Standard modes for the five tones
-- Study of the five sounds
-- Table of contents for all the pieces (IV/28)
Folio Two: Gong Mode
Table of contents for Folio 2
- Gong Yi (First half; rest is damaged; IV/29)
1; same as TYBY#2; from
1425
- Chonghe Yin (IV/29)
3; same as TYBY#3; from
1525
- Yang Chun; "also called Longmen Taolang" (IV/30)
14; related to TYBY#4 and the
1525 version
- Yang Chun additional tablature (IV/34)
8; not in TYBY; like the 1425 version
- 孤芳吟 Gufang Yin: Intonation on the Virtue of Solitude (IV/36)
3; only here, TYBY#5 and
1561; has preface
- Meihua Sannong (IV/37)
10; TYBY#6; from
1425
- Ziyi Yin: Intonation of Increasing Abundance (IV/41)
3; only here and TYBY#14, but they are completely different; preface connects it to Feng Lei Yin; see also the comments with 1525 Feng Lei Yin
- Feng Lei Yin (IV/42)
10; TYBY#15; from
1525
- 嘉遯吟 Jiadun Yin: Intonation on Commendable Obscurity (IV/44)
3; only here, TYBY#7 and
1647; ; has preface, but prelude to next
Identical to TTBY#7, but the last page switched with last page
of Gujiao Xing! Compare IV/43 and IV/75 with
III/317
- Gukou Yin: Gukou Intonation (IV/45)
13; TYBY#8; connected here to
Zuo Si;
five pu from
1525
- Qingxu Yin (IV/49)
3; first of five pu; has preface; also
TYBY#9,
1561 and
1647 / 1692
- Guanghan You (IV/50)
9; similar to TYBY#10; from
1425
- Yiqiao Jin Lü (IV/52)
7; not in TYBY; earliest is
1525
- Jiu Kuang (IV/54)
4; not in TYBY; copy of 1425
- Gao Shan (IV/55)
1; not in TYBY; copy of 1425
- Liu Shui (IV/57)
1; not in TYBY; copy of 1425
Folio Three: Shang Mode
Table of Contents for Folio Three (IV/60)
- Shang Yi (IV/61)
1; similar to TYBY#11; from
1425 (2)
- Huaigu Yin (IV/61)
3; the earliest pu with commentary: connects it to Yi Lan (next); see details
- Yi Lan (IV/62)
11; similar to TYBY#13; from
1425
- Teng Liu Yin: Intonation for the Deity of Snow (IV/65)
3; same as TYBY#16; melody apparently borrowed from Wang Ji
- Bai Xue (IV/66)
9; similar to TYBY#17; from
1425
- 君子吟 Junzi Yin: Intonation of the Superior Person (IV/68)
3; only here and TYBY#18 (identical); has preface
- Yuan He Shuang Qing (IV/69)
12; similar to TYBY#19; from
1511
- 斷金吟
Duanjin Yin: Intonation of Cutting Through Metal (IV/71)
3; this title only here, TYBY#22 (identical) and
1561), but compare
Jiao Qi Yin; has preface
- Gujiao Xing (IV/74)
10; similar to TYBY#23; the last page switched with last page of Jiadun Yin!
From 1539
- 昭昭吟 Zhaozhao Yin: Intonation of Broad Clarity (IV/77)
3; only here and TYBY#24 (identical); has preface
- Chang Qing (IV/78)
9; very close to TYBY#25; from
1425
- Duan Qing (IV/81)
8; very close to TYBY#26; from
1425
- 春江 Chun Jiang: Spring River (IV/83)
Melody similar to Qiu Jiang Wan Diao [Autumn River!!!])
7; related to TYBY#21, but they are quite different from the earlier Chun Jiang Qu
- Qiu Feng (IV/85)
12; only here, 1525 (similar)
1559 (very similar) and
1561 (identical to 1559); not in TYBY
- Kechuang Yehua (IV/88)
9; not in TYBY; earliest is 1511
- Si Xian Cao (IV/90)
7; related to TYBY#27 (Yan Hui); preface says "also called Yan Hui and Yasheng Cao"
- Gui Qu Lai Ci (IV/93)
5; from 1511; no lyrics
(TYBY#20 is unrelated)
- Xiang Fei Yuan (IV/95)
4; not in TYBY; from 1511
- Xue Chuang (IV/96)
14; not in TYBY; related to TYXP #14;
7 pu from 1539, Xue Chuang Ye Hua
- He Ming Jiugao (IV/99)
10; almost identical to 1425;
related to TYBY#28
Folio Four
Table of Contents for Folio Four (IV/102)
Jiao Mode
- Jiao Yi (IV/103)
1; from 1425
(TYBY#29)
- Lingxu Yin (IV/104)
3; from 1425
(TYBY#30)
- Liezi Yu Feng (IV/105)
9; from 1425
(TYBY#31)
Shangjiao Mode
- Shangjiao Yi (IV/107)
1; from 1425
(TYBY#32)
- Shenhua Yin (IV/108)
3; from 1425
(TYBY#33)
- Zhuangzhou Meng Die (IV/109)
8; from 1425
(TYBY#34)
Zhi Mode
- Zhi Yi (IV/111)
1; from 1425
(TYBY#35)
- Huitong Yin (IV/112)
3; from 1525
(TYBY#36)
- Yu Hui Tushan (IV/113)
13; from 1425
(TYBY#37)
- 純一吟 Chunyi Yin: Intonation on Sincerity (IV/117)
3; only here and TYBY#38, but has some melodic connection to Weibin Yin
- Wen Wang Si Shun (IV/118)
10; from >1505 and
1511
(compare TYBY#39: preface same; music related but diff.)
- Shanju Yin (IV/120)
3; from 1425
(TYBY#46)
- Qiao Ge (IV/122)
12; from 1425
(TYBY#47)
- 湘江吟 Xiangjiang Yin: Xiang River Intonation (IV/125)
3; same melody as Dongting Qiu Si
(this title also TYBY#44)
- Yu Ge (IV/126)
12; see 1525
(also TYBY#45)
- 霜夜吟 Shuangye Yin: Intonation on a Frosty Evening (IV/130)
3; only here, TYBY#40 and
1525
- Yan Guo Hengyang (IV/131)
12; see 1525
(TYBY#41)
- Guan Ju (IV/134)
10; from >1505
(TYBY#48)
Yu Mode
- Yu Yi (IV/137)
1; from 1425
(TYBY#49)
- Ganhuai Yin: Stirred Emotions Intonation (IV/138)
3; this title only here and TYBY#50; preface: "also called Hewu Dongtian Yin" (related); has preface
- Zhi Zhao Fei (IV/139)
14; from 1425
(TYBY#51)
- 親善吟 Qinshan Yin: Showing Friendliness Intonation (IV/142)
3; only here and TYBY#52; has preface
- Pei Lan (IV/143)
14; from 1539
(TYBY#53)
- 物感吟 Wu Gan Yin: Intonation on the Influence of All (IV/147)
3; only here and TYBY#54, but sections 1 and 3 almost = 1 and 3 of Chunxiao Yin
- Wu Ye Ti (IV/148)
9; from 1425
(TYBY#55)
Folio Five
Table of Contents for Folio 5 (IV/149)
Huangzhong Mode
- Huangzhong Yi (IV/152)
1; from 1425
(TYBY#58)
- 秋塞吟 Qiusai Yin (IV/152)
3; same as Huangyun Qiusai
(TYBY#59);
Zha Guide 24/201/-- mistakenly indicates this is first of 9 melodies that became today's Sao Shou Wen Tian, but Sao Shou Wen Tian actually begins with the Qiusai Yin dated 1722 (also see Shui Xian Qu)
- Longshuo Cao (IV/153)
8; "old name Zhaojun Yuan"; from 1425
(TYBY#60)
Fugu Mode
- Fugu Diao (IV/156)
1; tuning 1 3 5 6 1 2 3; see 1525
(TYBY#56)
- Nan Feng Chang (IV/157)
8; second of eight from 1546;
1525 is different
(TYBY#57)
Guxian Mode
- Guxian Yi (IV/159)
1; diff. from 1425 Guxian Yi or the related TYBY#71; instead almost same as 1525 Jiazhong Yi
(" = Qingshang"),
QPZC #45 [=
1546, #39], and
1589
- Feiming Yin (IV/159)
3; from 1425
(TYBY#72)
- Qiu Hong (damaged; IV/160)
36; from 1425
(TYBY#73)
Qiliang Mode
- Qiliang Yi (damaged; IV/167)
1; from 1425
(TYBY#61)
- Qiliang Yi (1; 2nd tablature: "same as Chushang Yi [damaged] IV/168)
1; after opening harmonics the stopped sounds are related to 1425
Shenpin Chushang Yi (not in TYBY)
- Zepan Yin (damaged; IV/168)
4; from 1425
(TYBY#63)
- Li Sao (damaged; IV/170)
18; from 1425
(TYBY#64)
- Chu Ge (IV/174)
9; from 1425
(TYBY#62)
- Qu Yuan Wen Du (IV/177)
8; see >1505
(TYBY#65)
Ruibin Mode
- Ruibin Yi; "also called 金羽 Jinyu mode" (IV/179)
1; from 1425
(TYBY#66)
- Leji Yin (IV/179)
1; related to Yu Ge Diao, but no lyrics (TYBY#67)
- Ao Ai Ge (IV/180)
(18; see >1505 Yu Ge
(TYBY#68)
- Jiuyi Yin (IV/184)
3; "also called Fan Canglang"
(TYBY#69)
- Xiao Xiang Shui Yun (IV/185)
10; from 1425
(TYBY#70)
-- Ye Quan afterword (IV/188)
-- Li Ren afterword (IV/189)
Footnotes (Shorthand references are explained on a
separate page)
1.
Page references are to Qinqu Jicheng, Volume IV.
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Return to the Taiyin Chuanxi intro,
to the annotated handbook list
or to the Guqin ToC.