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Qinyuan Xinchuan Quanbian
Complete Edition of Transmitted Qin Legacy 1 |
琴苑心傳全
1670 |
目錄 Table of Contents | First piece: comments by "孔興誘" 2 |
(Introductory essays)
卷之二 琴論 Folio 2 (XI/247)
卷之三 琴論 Folio 3 (XI/255)
卷之四 歷代帝王聖賢琴制、名琴備考、歷代名琴總論 Folio 4 (XI/268)
卷之五 雜引琴義 Folio 5 (XI/283)
卷之六 彈琴須知、定絃法 Folio 6: Needed knowledge for qin play; tuning methods (XI/287)
卷之七 指法 Folio 7: Fingering methods (XI/302)
卷之八 手勢圖 Folio 8: Hand gesture diagrams (XI/309)
卷之九 宮調 Folio 9 Gong Mode
(Copied from this 2009 post, which includes Juni's reconstruction of the version published in
1766.)
Various essays (XI/461-481)
Return to the top or to
Chenbentang Qinpu
1.
Table of Contents
2.
First piece: comments by "孔興誘 Kong Xingyou" (expand)
Return to the top or to
Qinyuan Xinchuan Quanbian
1st 131 are very short, perhaps only a name, or name plus a melody title
卷之一 琴論 Folio 1 (XI/222)
(琴譜 Qin tablature)
Compare the other version of this title below: they both have the same preface but are in fact unrelated melodies. The one here is actually a shortened version of Dongtian Chunxiao (details; also see
this recording)
卷之十 商調上 Folio 10 Shang Mode (Part 1)
卷之十一 商調下 Folio Shang Mode (Part 2)
卷之十二 角調 Folio 23 Jiao Mode
This is an ancient piece. The theme is a Daoist practictioner sitting under the stout pines and watching the unending waves. Looking upwards the progression of the Way and downwards upon the feeling of things. It is heavily toned with the intent of someone lamenting on the passing of things by a riverside. Hence, this piece is clear, transcendent, and goes back and forth, and extends greatly with the the mood of poetic recital of emotion.
卷之十三 徵調上 Folio 13 Zhi Mode Part 1
卷之十四 徵調下 Folio 14 Zhi Mode Part 2
卷之十五 羽調 Folio 15 Yu Mode
Earliest? (see also #100)
卷之十六 黃鐘調、慢宮調、凄凉調、楚商調、凄凉調
Folio 16 Huangzhong, Mangong, Qiliang, Chushang and Qiliang Modes
卷之十七 慢角調、商角調 Folio 17 Manjiao and Shangjiao Mode
Why not put together with other pieces in this tuning,
#68 Shenpin Biyu Yi,
#69 Baji You and
#76 Su Wu Si Jun?
37 Sections: actually a version of
Yuhua Deng Xian
卷之十八 碧玉調、甤濱調 Folio 18 Biyu and Ruibin Mode
卷之十九 清商調、慢商調 Folio 19 Qingshang and Manshang Mode
Same tuning as Guxian below
卷之二十 慢角調、姑洗調、譜餘 Folio 20 Manjiao and Guxian Mode
附錄 Appended
Compare #5
Not in the Yu volume
Compare the other version of this title above: they both have the same preface but are in fact unrelated melodies. The one here is actually a version of the 1425 melody
Guang Han You
(details).
Not in the Yu volume
Not in the Yu volume
Not in the Yu volume
This title not in the Yu volume but compare
#81 Gujiao Xing
Not in the Yu volume; shang mode; earliest like this?
Compare #81
Not in the Yu volume
Compare #41
Compare #42
Compare #43
Compare #44
Compare #46
Compare #20
Compare #22
Compare #31
Compare #38
Compare #39
Compare #42 & #90
Compare #49
Compare #53
Footnotes (Shorthand references are explained on a
separate page)
Qinyuan Xinchuan Quanbian is in QQJC XI 209-527.
(Return)
Copied from QQJC XI/319. Compare commentary by
孔興爕 Kong Xingxie on the first page.
(Return)