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| YCTQP Preface Yangchuntang Qinjing ToC | 首頁 |
|
Yangchun Tang Qinpu
Qin Handbook of Sunny Spring Hall 1 |
陽春堂琴譜目錄
1611 "The modern way of carrying a qin"2 |
Table of Contents (original volume)
-- 張大命自序 Zhang Daming's own preface (VII/343)
-- 目錄 Table of Contents (VII/344)
Folio 1 (Introductory articles)
-- 琴學須知 (VII/347)
-- 上琴要法 (VII/347)
-- 對琴法 (VII/348)
-- 挂琴法 (VII/348)
-- 定絃要法 (VII/349)
-- 正調品絃 (VII/350)
-- 外調轉絃 (VII/350)
-- 操縵引 (Caoman Yin longhand tablature version; VII/351)
-- 抱琴式 (VII/352)
-- 右手指法 (VII/353)
-- 左手指法 (VII/354)
-- 兩手統說 (VII/357)
-- 兩手取勢 (VII/357)
-- 彈琴要說 (VII/365)
- Folio Two
- Gong Yi (Gong Modal Prelude; 1; VII/366)
- Dongtian Chunxiao (18; VII/366)
From 1602- Xun Fang Yin (4; VII/371)
Only here and 1596- Yang Chun (15; VII/372)
See chart under 1425- Yi Qiao Jin Lü (7; VII/375)
From 1539- Guanghan You (8; VII/377)
From 1425 (see chart)- Shang Yi (Shang Modal Prelude; 1; VII/379)
From 1425- Si Xian Cao (7; VII/380)
From 1511 Ya Sheng Cao, but no lyrics (compare Si Xian, below)- Bai Xue (12; VII/382)
From 1425- Yi Lan (漪蘭; 12; VII/385)
See in chart- Guanghan Qiu (3; VII/387)
From 1425- Huai Shui Xian (懷水仙; 4; VII/388)
From 1590- Huai Gu Yin (4; VII/389)
From 1546 Yikuang Yin (details under the Huai Gu Yin of 1525)
Folio Three- Jiao Yi (Jiao Modal Prelude; 1; VII/390)
From 1425- Xishan Qiu Yue (18T; VII/391)
From 1589 Jishan Qiu Yue- Liezi Yu Feng (9; VII/396)
From 1425- Zhi Yi (Zhi Modal Prelude; 1; VII/398)
From 1425- Yu Hui Tu Shan (13; VII/398)
From 1425- Guan Ju (10; VII/401)
From >1505- Qiao Ge (10; VII/404)
From 1425- Shan Ju Yin (4; VII/406)
From 1425- Yu Yi (Yu Modal Prelude; 1; VII/407)
From 1425- Zhi Zhao Fei (14; VII/408)
From 1425- Han Gong Qiu (9; VII/411)
Different from 1525- Pei Lan (14; VII/413)
From 1539- Wei Bin Yin (3; VII/417)
From 1539
Folio Four- Shangjiao Yi (Shangjiao Modal Prelude; 1; VII/418)
From 1425- Mozi Bei Ge (10; VII/418)
From 1589- Shenhua Yin (5; VII/421)
From 1425- Guxian Yi (Guxian Modal Prelude; 1; VII/422)
From 1425- Fei Ming Yin (6; VII/423)
From 1425- Qiu Hong (36; VII/424)
From 1425- Ruibin Yi (Ruibin Modal Prelude; 1; VII/429)
From 1425; "即金羽意 same as Jinyu Yi"- Le Ji Yin (1; VII/430)
From >1505- Yu Ge (18; VII/430)
From >1505- Xiao Xiang Shui Yun (10; VII/434)
From 1425- Huangzhong Yi (Huangzhong Modal Prelude; 1; VII/436)
From 1425- Chao Hui Yin (1; VII/437)
From 1589- Da Ya (9; VII/437)
From 1425- Qiliang Yi (Qiliang Modal Prelude; 1; VII/439)
From 1425 (chushang?)- Chu Ge (9; VII/440)
From 1425- Qu Yuan Wen Du (9; VII/442)
From >1505
Continuation: Qinpu Qimeng (Initiation into Qin Tablature)Zhang Daming's Introduction to the Continuation of the Printed Handbook Qinpu Qimeng (VII/444)
(See original; includes comment on why all these melodies have lyrics.)
Table of Contents for the Yangchun Tang Qinpu Continuation (VII/445)
Explanation of finger techniques (刪選捷要字母; VII/445)- Si Xian Cao (7T,L; VII/446)
From 1511 Ya Sheng Cao, including lyrics (compare Si Xian Cao, above)- Teng Wang Ge (18,L; VII/450)
From 1585- Gui Qu Lai Ci (6T,L; VII/455)
From 1511- Ke Chuang Ye Hua (8T,L; VII/457)
From 1511- Yu Qiao Wen Da (8T,L; VII/460)
From 1559- Xiang Fei Yuan (5,L; VII/464)
From 1511- Feng Qiu Huang (1,L; VII/465)
有美人兮....(from 1539; see in chart)- Lou Shi Ming (1,L; VII/466)
From 1539- Shitan Zhang (5T,L; VII/467)
From 1592- Yangguan Sandie (3T,L; VII/471)
From 1530 (see in chart)Wang Yu Afterword (王宇跋; VII/472)
Yang Rongguang Afterword (楊容光跋; VII/460)
(Last page is missing)Introduction to Taigu Zhengyin Qinpu (1669; VII/475)
Introduction to Revised Edition of Taigu Zhengyin (VII/476)- Zhao Jun Yuan (4,L; VII/478)
From 1425 but with lyrics: 秋木萋萋，其葉萎黃....- Chibi Fu (11T,L; VII/???)
Zha Guide Chibi Fu mentions this, (111)69 includes it (after #44, before #53 - the list there is in a different order), and [809]285 has lyrics (for Qian Chibi Fu), but it is not in the QQJC edition (compare others) - Dongtian Chunxiao (18; VII/366)
Footnotes (Shorthand references are explained on a
separate page)
1.
Qin Handbook of Sunny Spring Hall (陽春堂琴譜 Yangchun Tang Qinpu)
See further information.
(Return)
2.
The modern way of carrying a qin
Image from Yangchuntang Qinpu, QQJC VII/352-3. The text in the box, upper left, is as follows (compare the
ancient way),
Modern people think the back of the qin should face outwards; they think the front should faced inwards, so that the hand can control the "dragon pond" (large sound hole; two characters are unclear).
See also other images from this handbook.
(Return)
附錄 Appendix
目錄
陳五昌跋
Return to the top
or to the Guqin ToC.
陽春堂琴經 Yangchungtang Qin Jing
目錄 Table of Contents
(Further comments)
葉向高琴經首序 (QQJC VII/231)
劉大任序
張大命自序
琴學淵源上
琴學淵源下
操縵指訣 (Various lists of rules)
字譜源流 (Explanations of finger techniques)
博古名操 (Introductions to various old qin titles)
歷代名琴 (Diagrams of old qin types)
古琴辨 (Appraising old qins)
斵法 (Making qins)
琴社 (The qin in society: the correct environment for playing)
大雅嗣音 (Old stories about qin)
琴雋 Qin Jun (Praising qin in poetry, etc.)
琴窗雜記上 Qinchuang Zaji (Various accounts giving a Window into the Qin, Part I)
琴窗雜記下 (Same, Part II; includes
Shantang Sikao story)
格古要論 (Old essays on the qin)
煞風景 Destroying the environment
(More essays, beginning "古人以「煮鶴燒琴」為煞風景....The ancients had the expression, "Cook a crane (for food) and burn a qin (as fuel)", to refer to destroying the environment....")
琅嬛記 Lang Huan Ji
Also written 嫏嬛記 (same pronunciation). According to 6719 = 21632.9 瑯嬛記三卷 Record of the Heavenly Library, it is said either to be a Ming book pretending to be Yuan, or a collection of stories compiled in the Yuan dynasty by 伊士珍 Yi Shizhen.