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Huiyan Mizhi
and Huiyan Mizhi Ding Qin-Spoken Private Instructions (plus Revision) 1 |
徽言秘旨
徽言秘旨訂 1647 |
目錄 Table of Contents
At present this table of contents mentions the essays but does not list them separately. It then follows the order in QQJC X by listing first the 60 melodies published in the original Huiyan Mizhi, then from Huiyan Mizhi Ding listing only the 16 melodies it added or revised. Huiyan Mizhi Ding, as re-published in a modern facsimile edition, groups all the pieces together; it has only 73 entries as it does not include the original versions of three revised melodies, #61, #69 and #73.2
(Gong mode)
(For #3 the facsimile edition substitutes #61, a revised version of Gao Shan)
(The facsimile edition places #62, #63, #64, and #65 here)
(Shang mode)
(The facsimile edition places #66 and #67 here)
(Jiao mode)
(The facsimile edition places #68 here)
(Shangjue mode)
(For #31 the facsimile edition substitutes #69, a revised version of Zhuangzhou Meng Die)
(Zhi mode)
(The facsimile edition places #70, #71 and #72 here)
(Yu mode)
(For #47 the facsimile edition substitutes #73, a revised version of Han Gong Qiu)
(The facsimile edition places #74 and #75 here)
(Huangzhong mode)
(The facsimile edition places #76 here)
(Guxian mode)
(Ruibian mode)
(Manjue mode)
(Qiliang mode)
Seven further essays (X/241)
(Gong mode)
(Shang mode)
(Jiao mode)
(Shangjue mode)
(Zhi mode)
7221.491 安樂窩 An Le Wo refers to the home of 邵康節, i.e., Shao Yong. For this, William Dolby, Chinese Allusions, An-Le Wo, has:
(Yu mode)
(Huangzhong mode)
Afterword (X/293)
Four prefaces (X/3)
Four essays (X/10)
Table of Contents (X/16)
Six sections explaining tablature (X/17)
15 sections
6 sections
8 sections
13 sections
8 sections
8 sections
11 sections
11 sections
3 sections
18 sections
3 sections
9 sections
3 sections
10 sections
3 sections
12 sections
3 sections
8 sections
8 sections
13 sections
3 sections
4 sections
3 sections
9 sections
4 sections
18 sections
2 sections
13 sections
3 sections
10 sections
10 sections
9 sections; "also called Shenhua Yin"
5 sections
18 sections
18 sections
3 sections
10 sections
sections
18 sections
2 sections
14 sections
3 sections
20 sections
8 sections
15 sections
5 sections
10 sections
12 sections
18 sections
3 sections
6 sections
14 sections
8 sections
7 sections
11 sections
12 sections; "also called Dao Yi"
12 sections
18 sections
12 sections
22 sections
Huiyan Mizhi Ding
Melodies not in original handbook
New table of contents (X/253)
9 sections; revision of #3 Gao Shan
8 sections; earliest?
4 sections; lyrics written at end of each section; no musical relationship to earliest version
3 sections; 2nd of 8 after 1625
15 sections; only here: other three occurrences of this title are a different melody
(in 1705 [XIII/331],
≥1802 [XIX/84] and
1876 [=1705])
No commentary here but 1705 connects it to attitude of Confucius; 47030.80: only 魯風鞋 Lu Feng Xie
7 sections; only here
7 sections; lyrics at the end of each section; only here,
1691 and
1876
9 sections; only here
10 sections; revision of #31; still related to 1425
7 sections; only here, 1691 and
1876
7 sections; earliest (?) of six, the next being
1691,
1705,
1802,
1876 and
1894.
4 sections; lyrics by Shao Yong are placed at the end of each section instead of directly paired; #76 below is a completely different tune with the same title. See also 1691 (XII/584; as below but pairs words) and
1878 1878 (XXIV/missing); Section 1 of Xing Xin Ji (1585 IV/354) has this title but is unrelated.
ii) a tranquil easy-life dwelling-place,
iii) a place where politicians go to avoid the calamities and dangers of political life,
iv) a peaceful home (/ -garden)."
10 sections; revision of above;
related to earlier
8 sections; "earliest version"
only here; #75 is quite different
8 sections; "as fixed in later years"; the same version is in
1691 (XII/574) and
1876 (XXV/319)
4 sections; lyrics at the end of each section; same lyrics but completely different melody from #72 above
Same melody and lyrics in
1691 (XXV/605),
1876 (XII/584) & perhaps
1878 (XXVI/missing), but for the latter they are paired next to the tablature instead of placed at the end
Footnotes (Shorthand references are explained on a
separate page)
1.
Table of Contents for Huiyan Mizhi (1647)
Pages as in QQJC Volume X. This also includes melodies from
Huiyan Mizhi Ding, but some handbooks say their version comes from Yin Ertao (usually referring to him as 尹芝仙 Yin Zhixian or just Zhixian), and yet the melody is not in either of these two editions
(example). I do not know whether this means that there was at least one more edition of Huiyan Mizhi or if that was a mistake.
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2.
Table of Contents of the QQJC and Facsimile editions
The facsimile edition was published by 中國書店 Zhongguo Shudian in Beijing, 2006.
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